A country version from the band Alabama, a folk-lite version from Jewel, a downtempo rock version from Big Head Todd and the Monsters, a Nazi-punk version (yikes!) from the British skinhead band Skrewdriver. "Sweet Home Alabama" has also inspired, over the years, a staggering array of covers and samples. In the short term, the song helped to make the entire genre of southern rock a major fad in the mid-1970s in a 1974 interview, Ronnie Van Zant actually complained that temporary enthusiasm for the "southern scene" meant that "a great band from New York has less of a chance now than an average band from the South." "Sweet Home Alabama" quickly shot up to #8 on the charts shortly after its release as a single in 1974, making it the most successful southern rock song of all time and ensuring that it would influence generations of subsequent music. Speaking more generally, Skynyrd emerged from the same earthy blues-rock tradition that had produced bands ranging from the Rolling Stones to Creedence Clearwater Revival to the Allman Brothers. Lynyrd Skynyrd, with its famous triple-lead-guitar attack, built a harder sound than the Swampers… but always kept a hint of that swamp music flavor. (Besides Skynyrd, other major artists who made the trek to Muscle Shoals to record music ranged from the Rolling Stones to Aretha Franklin to Bob Dylan to the Staples Singers. The session men there-a group of musicians known as the Swampers because they sounded like they were playing swamp music-perfected a bluesy, authentic sound that backed a staggering number of rock, soul, blues, and country hits in the 1960s and '70s. The Muscle Shoals Sound Studio was a tiny recording studio in a small town in northern Alabama that had an outsized impact on modern music. The last verse of "Sweet Home Alabama" gets a lot less attention than the controversial earlier bits that deal with Neil Young, George Wallace, and Watergate, but Ronnie Van Zant's shoutout to "the Swampers" in Muscle Shoals refers to another profound influence on the band's sound. (Ronnie Van Zant said he owned every record Neil Young ever released.) Lynyrd Skynyrd also loved his music, and the band's grungy, straightforward, hard-rocking sound owes something to the countless hours they spent listening to Young's work with Buffalo Springfield, CSNY, and as a solo artist. Young's strident criticism of southern racism prompted Skynyrd's response in "Sweet Home Alabama," but Young's influence on the band wasn't limited only to disputatious lyrical content. Flock members make a high, level seep.The most obvious influences for "Sweet Home Alabama" are invoked in the song itself-Neil Young's social criticism tunes "Alabama" and "Southern Man," and the music of the Muscle Shoals session musicians known as the Swampers. Females do this as part of courtship males sometimes use trills to signal aggression as they push their head forward and flutter their wings. White-throated Sparrows also make a trill that can be up to 2 seconds long. A two-parted chip-up is a sign of aggression between two birds or given when adults arrive at the nest. It’s an alarm call often given near a nest or when a predator or other threat has been spotted. The main call of the White-throated Sparrow is a sharp, explosive, chink, often given by an agitated bird with crown feathers raised, flicking its tail. Males of both forms sing, and so does the “white-striped” female. White-throated Sparrows sing often during the breeding season, even in the middle of the day, and on their winter range as well. The whistles are even but typically move slightly up or down in pitch by the second or third note. White-throated Sparrows sing a pretty, thin whistle that sounds like Oh-sweet-canada-canada or Old-Sam-Peabody-Peabody.
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